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Presented with an extensive list of cover and structure options --
including leather, wood, metal and book board -- you will choose the
type of book(s) you want to make.

Suzanne Stalder-Mansur
Class of 2004
Together you and I will
plan your projects and then you'll work through them, with step by
step guidance from me. You'll choose from a wide variety of
materials and techniques to make your book.
With a focus on good design and working skills,
you'll enjoy working in wood
(rout, paint, stain, carve, drill), metal (etch, stamp, saw, drill, file,
paint, rivet, color, texture), book board (case, buttonhole, book cloth,
Coptic, Greek, laced, endbands) and more.
The advantage of
taking a class at my working studio is that you're surrounded by my
tools and toys. The creative options are infinite and the class
often spins off in unexpected ways. I even have lovely
books-in-sheets so that you can leave the studio with a book already filled with
content.
Most projects, and therefore the curricula, are designed in class. Students usually finish 1 or 2 projects
in a week, although some have completed 4 or 5 projects. It just
depends on the design complexity and material choices.

Vicki Potter
Class of 2008
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Book Technic:
The Structure
of Artist Books
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Possibilities and highlights are:
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Make covers from metal, wood, leather and
more
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Bookbinding basics (grain
direction, computing thread for sewing, parts of a book, weaver's knot,
etc.)
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Cased and exposed spine books
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Sew interesting historical and experimental
stitches and various board attachments
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Light woodworking
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Etch and fabricate
metal book furnishings
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Cold connecting metal
(no soldering)
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Also covered in class will
be various basic bookbinder's tools and some more advanced tools such as
a plough, sewing frame, leather paring machine, guillotine cutter,
book presses, etc.
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While this class leans
toward the making of artist books, fine and design techniques will be
discussed and compared.
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Thea Abbott-Nelson
Class of 2006

Becky Wilson
Class of 2005 |