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Finding
My Voice : My Journey Towards
Originality
By: Marion Barnett
April 2002
How do you make original work?
That’s a question that has plagued all of us at some time or another,
and not just at the beginning of our artistic lives, either.
There are moments where every one of us, no matter how talented or
experienced, wonders just where the next idea is going to come from…artists,
writers, anyone creative occasionally gets stuck.
I can remember being sixteen, then eighteen, then twenty five, and
wondering where people got their ideas from.
I knew how to write, I thought, I just didn’t know what to write about.
It has taken me to the grand old age of forty, to begin to find my own
voice. I think that creativity is a
journey that has no ending, and no beginning, but it thrives under certain
conditions. These are the
conditions that work for me; your reality will inevitably be different.
Interestingly enough, that is the first of the conditions.
I recognise that my reality is different to yours, and that therefore, my
art will be. Willa Cather, the great American novelist, wrote that there
are only three stories in the world, and they go on repeating themselves.
It’s true, although we could debate which three they are.
Consider all the novels you have read, the pictures you have looked at
over the years. Compare, for a
moment, a landscape by Van Gogh, the master of emotional expression, with one by
Cezanne, who was fascinated by the underlying structure of nature. Their theme is the same, the depiction of a landscape, and
yet each artist’s treatment of that theme is radically different.
The second of my conditions is to give myself time to develop my unique
vision. I was forced to do that
when illness brought my business career to a sudden and total halt.
I needed time to heal; it was only later that I realised that it was also
time to do all sorts of other things. Whatever
kind of art or literature you create, you need time to look, to observe, to
listen, to reflect and, finally, to make whatever it is.
I find that looking at art that other people have created, taking regular
walks, to look at the magnificence of nature, and reading things that interest
me, all feed the ideas mill. I don’t, however, use other people’s images or
styles as the basis for my work . Whilst
I don’t want to invent the wheel, I do want to make art about things that I
know and understand, things that I have experienced.
If I didn’t take the photo, I don’t use it as the basis of a piece of
work, though I might be influenced by, say, the colours in it.
That brings me to the third of my conditions. I give myself permission to make a lot of different things in
a lot of different ways. It may not
be fashionable to have a broad based approach, but it works for me.
I write, I dye, I paint, I make quilts and embroideries, and I make
music. Each one of these activities
feeds the next. When I’m stuck
with one, I can work in another. It
keeps my levels of creative excitement high.
And I allow myself to take
risks with my work, trying new techniques regularly, incorporating them into my
style if they work for me, leaving them aside if they don’t.
I find, though, that everything I learn, I use somehow. Eventually.
Fourthly, I don’t accept my limitations. Not my perceived ones, anyway.
I perceived that I couldn’t draw.
Experience, from school, told me that.
Life experience, too. Until
I made the effort, and went to a drawing class.
There I discovered that drawing takes practice, but it is
achievable…and all that it took was support from a good teacher, and a change
in my beliefs about myself and my abilities.
Finally, I spring cleaned my soul.
And my house, come to that. My head was full of emotional clutter,
unresolved conflicts and negative thoughts.
You can’t see what’s around you, if your time and energy are taken up
with fighting an inner war. I got
help, just as with the drawing, and diminished the demons to a point where I can
now work with them in my art, rather than having them standing between it and
me. Same with my house…out with
the books and clutter that I didn’t want and need.
I now have room to work comfortably, and I can find what I need when I
need it.
All this sounds so easy. Actually,
it is. The secret is…there
is no secret.
Find the path, and follow it…work out what your own conditions for
creativity are, and adapt your way
of life to meet them as much as is practicable.
Have a pleasant journey…
© Marion Barnett 2001
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