|
Art
Inspiration
Beading
Bookbinding
Glass
Assemblage
and
Found Objects
Journaling
Leather
Working
Metals
Miscellaneous
Mixed
Media
Paper
Arts
Table
of Contents
Email
Christine Cox
Editor
All material on this site is
copyright by either Christine Cox or its respective owner. Please
email me before using anything here.
| |
Inspiration
November 1999
Every time I think I'm on my way to being organized, I catch sight of my
stamping desk and know that my dreams of having a place for everything will
never come true. On it I've got paper, inky baby wipes, snips of ribbon,
dirty stamps, strips of Miracle Tape backing and, for some reason, two naked
Barbie dolls. I'm assuming my kids put the Barbies there, but the rest is
my stamping detritus. I hate it because I can't find exactly what I need
and even if I could find it, I couldn't use it because there's no space in which
to create! As I begin the long process of clearing my desk off, I have to
decide if I really need that 2"x2" scrap of paper or if I can safely
throw it away when I think, "I'll put it in my art journal!"
Since the paper is my current favorite I know I'll need to order more of it
soon. I pull out my trusty art journal, adhere the paper to a clean page,
and write down the paper name, price, and vendor from whom I bought it.
Since I have the art journal out already, and I'll do anything to put off
cleaning my desk, I start flipping through it. "Hey," I think
upon seeing a page filled with the same image stamped several times in different
ink , "I forgot I had that stamp!" Of course, now that I
know I have it, I'm going to have to clean out my stamp drawers in search of it.
Hmmm, maybe this wasn't such a good idea.
When I saw art journals for
the first time, in Somerset Studio,
I was so intimidated. The
journals shown were incredible works of art in themselves, not to mention the
art *inside* of them. There were layers of colors, images, words, the
kinds of things I know are in my mind but that I can't ever get to come outside
to play. I wasn't sure I could ever produce such "perfect" art
journals, but was willing to try. So, after debating with myself for 2
weeks over which blank book would be perfect for me, I finally chose one
(8.5"x11", green leather cover, in case you're interested). I
sat down at my desk with stamps, ink and collage material at the ready and
stared at the blank page for an hour. Oh, the pressure!
Suddenly, a flash of insight
hit me my art journal doesn't have to look like the ones I drooled over in
Somerset Studio! Sure, they're gorgeous, but right now they're not
"me." Right now, "me" is struggling just to carve out of my
disorganized life the time and the space in which to play. My art journal
can be *anything* I want it to be. As soon as my mind accepted that fact,
the blank pages seemed less threatening. I started trying out embossing powders
I had never used, cataloging which base coat of ink went best with which
embossing powder. I got out my paints and played around making several
backgrounds. I glued in the extra swap cards I had made but couldn't send
to anyone because they had visible-only-to-me flaws, writing down the date and
which swap they were for. I drew a diagram of a book that I'd been wanting
to make but hadn't had time to do yet. Maybe someday I'll be creating pages like
LK Ludwig <http://victorian.fortunecity.com/rodin/546/gryphonsfeather/page5.html>,
but I don' t mind waiting for that day.
Now that I've been using my
art journal for awhile, I've gotten used to being able to find things, like the
exact shade of red I used with the Chinese chop, the vendor's name who sold me
that gorgeous swirly paper, and which embossing powder didn't stick to that
purple ink. What liberation, not having to scramble through the piles on
my desk, wondering if I threw out the one piece of scrap paper I really needed.
Of course, the piles are still on the desk, along with those too-perky-for-words
Barbies, but I know that all of my important stuff, the inspiring stuff, can be
found in the green book that's getting harder to close.
Biographical Information on Debbie Miller
Debbie Miller is a 25-year old SAHM from Plano, Texas, who is convinced that
there must be more to life than kids. Unfortunately, the evidence of her
life contradicts that fantasy. While her twins keep her busy, she dreams
of finding just a little peace and time in her stamping room. Most of the
time spent in there is taken up by reorganizing and admiring her stamping
treasures, but one of these days she might actually stamp something, provided
the planets are aligned correctly and the kids are asleep at the same time.
|
Loni's journal stamp credits:
triangle daisy - Too Much Fun
beyond circle - Acey Deucy
hand print - Leavenworth Jackson
half fleur - Above the Mark
small nude - hand drawn |
Editor's Note
Thanks go to Loni Young, Kelly Kilmer and Kristy Christopherson for
allowing me to use their artwork to illustrate this article. |
|